Archive for the ‘Hotel Renovation’ Category

Forrest Perkins Sheds Some Light on the Project

Tuesday, October 9th, 2007

Stoneleigh Hotel Suite - Designed by Forrest PerkinsStoneleigh Hotel - Newly Renovated Guest Room

Recently, I had the opportunity to speak with Anne Sasso, the project manager at Forrest Perkins, the architectural & design firm that is renovating the Stoneleigh hotel’s rooms, lobby, grand salon, & spa. She had some cool insider information to share regarding the current refurbishment project. The two images above are peeks at what the new guest room and suite will look like.

Here is the entire interview:

D: Can you provide me a basic rundown of the project? What is the extent of the renovation, and what can we expect for the grand opening?

A: Well, everything is being renovated and refinished. We’re trying to maintain as much of the historical integrity as possible in all the wood paneling, crown molding, and such. Some of the guest rooms have been re-configured to fit with our new fixtures and fittings. The new rooms will have gorgeous marble floors, Kohler fixtures in the bathroom and guest room, plasma screen TVs, and Deborah Forrest’s line of base fabrics. We’ve found a way to integrate it all just right.

The grand salon, which is on the same floor as the Penthouse, is going to represent a private ballroom, like a Versailles in Dallas. It’s very cozy and fully-equipped with multimedia for meetings, galas, and receptions. While the Penthouse takes up about half of the eleventh floor of the Stoneleigh, Forrest Perkins will be the other half, which includes renovating the grand salon and two Murphy bed suites. The grand salon also has the capability of being used along with Carleton Varney’s Penthouse, so if you were to host a large gathering, the Penthouse and grand salon could be used for the same event.

D: When you all were up there working on the grand salon, did you stumble upon anything of interest? I’ve heard that Colonel Stewart, the tenant back in the 30’s, had several secret passageways.

A: I did get a chance to poke my head in to the Penthouse, and I came across several small doors that opened up to small rooms & hallways. As construction has continued, we are making a point to leave all of those old characteristics of the hotel in place.

As far as the renovation of the guest rooms is concerned, we’ll be making it a point to maintain these unique details about the hotel, while adding a few touches along the way. For example, with the guest rooms, we’ve added a few details such as crown molding & appropriate trim that will update the architectural design of the rooms to a more contemporary look.

D: Cool, I did have a chance to look at the suite that you all finished with the rotating TV in the middle.

A: Yes, well that suite’s design will stay the same, except that we will be incorporating the woods that are visible in the red & grey scheme. The color palette (greens, teals, whites) will stay the same. We’ll re-distribute the colors, but both rooms will have now those beautiful Crotch Mahogany wood furnishings. The basic furniture types will stay the same, and we’ll have that center unit that will rotate 180 degrees. We’ll have a big wood-framed sofa, which is a double-sleeper. Plus, there will be huge closets that I would give anything for.

D: After looking over the Forrest Perkins portfolio, I noticed that there are a lot of other hotels that your company has worked on like the Hermitage in Nashville and the Washington Plaza in D.C. Do any of those past hotel projects bring any inspiration to the Stoneleigh re-furbishment?

A: It’s funny that you ask. I’m leaving tomorrow to go to Union Station, a Nashville hotel that my previous project manager and I worked from start to finish. It’s actually just right up the road from the Hermitage. Union Station was a historical property that had some wonderful elements that were fun to maintain and bring attention to.

As far as inspiration for that project, we were able to step outside the box without making it solely a traditional property. We had the unique opportunity to maintain those key traditional & architectural elements while all the while bringing the hotel up to speed with a modern, contemporary design.

As we approached Union Station, we knew how important it is to maintain those architectural elements. Yet, those details were so traditional, and the question was how could you mix the old with new? So, it has been nice to have that previous experience with restoring a historical property.

D: It will be interesting to see how the Stoneleigh’s new face-lift will incorporate the old and the new.

A: I’m excited. A friend of mine, Richard Potter, used to live in the Penthouse back in the 80’s, and his family used to own a local metal shop, Potter’s Metal Arts. They were responsible for all the original metalwork in the hotel. I’ve met him in the last couple of years since I’ve moved to Dallas, and I had the opportunity to set him up for restoring and re-finishing the existing metalwork in the hotel, such as the banisters in the lobby stairs. His grandfather worked on the original Stoneleigh Hotel project, so it will be another great chance to incorporate the original design with the modern re-working.

D: It sounds like there are a lot of different people coming together to put this project together.

A: Yes, Forrest Perkins will be renovating the entire hotel, except for the Penthouse, which will be Carleton Varney’s project. Also, GDA, our architectural associate, will be covering two of the historical suites. The restaurant and bar will be produced by the Plan B group. We worked together with Plan B to integrate our designs together for the first floor. It’s been a lot of fun. Challenging, but fun.

D: How far along is the project at the moment?

A: All of the areas have been specified in design. We are in the midst of purchasing and moving all of the room elements on-site, and making them ready to be installed. Guest rooms are near-completion. We are expected to be finished by December 1.

D: Is the Spa opening up a little later?

A: The spa should be on target for December 1, and currently they are constructing the tunnel that will connect the hotel to the Residences. Last I heard, they were pouring the cover for it, so that might delay it slightly. As long as the tunnel construction is completed, the Spa will be set to open with the hotel.

D: There are a few other new hotels in the Dallas market, what is going to make the Stoneleigh stand out from the Ritz-Carleton, the W, the Zaza, The Palomar?

A: We’re not even in the same playing field, because we are bringing something so much more unique and exciting to the table. It has been absolutely incredible working on this project. For example, I run into so many people who ask about the Stoneleigh all the time, and I always hear a great story. Stories of people that visited when they were little, those that stopped by when they first moved to Dallas, those that always stayed there when they visited Dallas, or even people that lived there for a time. We have so many loyal followers, and now that we’ve updated it, we’re bringing in a whole new crew too.

It’s awesome to be able to work on a property that is such a great city landmark, and it’ll been fun to be able to make an impression.

Penthouse Preview

Tuesday, August 28th, 2007

Stoneleigh Penthouse Drawing Room

Stoneleigh Penthouse Dining Room

Here’s a look at two more renderings of the new Penthouse, the first is a preview of the Drawing Room, while the second is of the Dining Room.

I had the opportunity to get an insider’s view of the the Stoneleigh Penthouse recently by speaking directly with the man behind the project, Carleton Varney. The project is steadily underway and it sounds like it’s going to pay an honest tribute to the original designer, Dorothy Draper, while still maintaining a modern look and feel.

As Varney puts it himself:

The vision for the Penthouse is a really a Draper vision, because it harkens back to the time when the world was a world of glamour. Dorothy Draper’s kind of look is far more electrically colorful, and so to the Stoneleigh we are bringing back all of those brilliant reds, that black and gold look she was famous for, that kind of Baroque style, the Thomas Jefferson aqua blue and the use of beautiful, elegant fabrics, and glamour.”

Here is the entire interview:

D: To start off, can you give me a basic rundown of how you would describe your vision for the new Penthouse?

C: Well, the vision for the Penthouse is a really a Draper vision, because it harkens back to the time when the world was a world of glamour. When Dorothy, and the people who worked with her, were involved with the project of the original Penthouse for the private owners at the time, the world was a different place. We weren’t involved in the immediate information time of blogs, computers and TV, and so there was more of a unity within the framework of an environment. In other words, it took a little bit of time to get information from one place to another. When the Stoneleigh Penthouse was done, Mrs. Draper’s look was highly glamorous and Texas was on the beginning of its recognition to the outside world, and that’s why a lot of people in that era went to New York or Hollywood and so forth, where glamour really originated. Now, that is not to say that there isn’t anything glamorous in local refinements. There is certainly a character of Texas that has its own identification which has been transported around the world for many years, as there is a look of New Orleans, Boston, and so and so.

So, when you bring glamour of the Dorothy Draper ilk, you must remember that Mrs. Draper in her time was the most well known home stylist of anybody in the world, particularly in America, and her image was far greater in the 30’s and the 40’s than Martha Stewart ever was in the world of today. The thing that was different is that Dorothy was actually a designer and Martha is not a designer, she is a reporter. Mrs. Draper brought to American culture the look of what is called “American Baroque”, which is a lot of classic detail and a lot of magical color – and this office has always been a color place. We are a color office. People don’t come to us for beige. The world unfortunately, has gone beige. But, there is a renewal in certain things, thanks to the paint companies and to other design elements that all have to do with the re-invention of the use of color and the way in which people are happy.

I always blamed television in many ways in the fact that color became secondary in the American home. I can always remember coming back from LA, where I was working on a project a while back. I went to a hotel in LA at the airport, and I went into my room and the walls were sort of a creamy-color, grey-stripey, kind of beigey-white and the carpet was a twisted Burberry look, and the curtain was a cream color, and the bedspread was biscuit beige. Even the artwork on the wall was beige and white with maybe a dash of melon in it. And then when I went to take a shower, the entire bathroom was white with white curtains, and white fixtures and beige fixtures. I said, you know, when I got out of the shower, “here I am, standing in a bowl of oatmeal”. The only color in the room was actually on the vase on the TV set. So, the people began to focus totally on an image, the only color they looked at was on the television set.

Dorothy Draper’s kind of look is far more electrically colorful, and so to the Stoneleigh we are bringing back all of those brilliant reds, that black and gold look she was famous for, that kind of Baroque style, the Thomas Jefferson aqua blue (which is really the Tiffany Box blue, slightly watered down). And then, the use of beautiful, elegant fabrics and glamour. It’s a Hollywood recreation in many ways. You have to remember that Dorothy was Hollywood. Films that had her recognition were Cover Girl with Rita Hayworth and Gilder, and a lot of those movies and brand hotels with big black and white floor and black furniture with a gold trim or silver trim. So the Penthouse at the Stoneleigh is going to really be a recreation of the world of glamour in a very positively extensive approach. I mean, we’re even doing the hallways on the floor below the Penthouse, with white chair rails with bright red carpet, Chinese wall coverings, new ceilings, and Baroque light fixtures, so there will be a name identification to the look.

Now, everybody doesn’t have to like a look this way. People, often times, feel that they have to live in a beige and grey environment. Draper never did, so this offers the people who come to Dallas probably the most luxurious Penthouse in the city, which is not furnished in a manner that looks like a hotel. This is actually like a very beautiful private residence in the sky.

D: That’s great, and it’s going to be used for receptions, parties, and such?

C: Yes, all kinds of receptions and private parties. It’s called making a statement, and the Penthouse will make a statement.

D: It seems like the Penthouse will certainly be a tribute to Dorothy.

C: It is, Sure. We just finished closing a show in Dallas called the High Style of Dorothy Draper at the Women’s Museum, which ran for six months.

D: I’m curious; how far long is the project at the moment?

C: The project is very far along. All of the steps of the furnishings, carpet, and drapery- everything has been written, and a lot of it is in place.

D: So, you all are shooting to open in..?

C: It will open in December; let’s hope it opens at Christmas so we can put up the Christmas tree.

D: Great. Okay, in regards to these two rendering of the Drawing Room & Dining Room, is there anything you’d like to say about these rooms in particular?

C; Well, I think they are pretty explicit as to what the general feeling is going to be- they are of that English Regency and French Regency period – the “Regency” period I would say. A lot of it was – well, there. The beautiful panel walls are all still there, the details in the dining rooms are there, the ceilings- we’re not changing it architecturally, we’re just bringing it back to life again.

D: I was actually able to go up into the Penthouse in April, and while it was empty, I was able to get a feel for the way it used to be, because I have seen all of those old black and whites of when Colonel Stewart used to live there. It’s going to be really cool, especially for me, to see the change, after seeing the before, after, and in-between. So, I’m definitely looking forward to the grand opening. I wanted to ask, are you going to be working on the Penthouse for the Residences as well, or just the hotel?

C: No, just the hotel.

D: I was looking through your portfolio at the different hotels and projects you’ve worked on like the Waldorf Towers in New York and the Greenbrier in West Virginia, and while I understand that this project is very much a tribute to Dorothy Draper, I’m curious if there’s any of your previous work that has inspired you in any way in your re-design of the Penthouse?

C: I’m always inspired by everything. I was very much inspired by the fact that there was an oriental touch that the Colonel had done on his terrace. We’re incorporating all of those details, with that open terrace with elements of Shanghai in it. He reached out to other cultures when he was bringing his feelings to his home in Dallas. Certainly there was an intermingling of tastes and feelings from places that he had been, which he wanted to keep around him, sentimentally. He was right on target then, because it was a new world. People were fascinated about someone being up in that penthouse because he had acquired so much vision through his travels and etc. He did have a house in Mexico too.

D: That’s great. It’s going to be some project. I like how it brings out a different side of Dallas, more of a worldly, more cultural view on things.

C: You can’t deny that Dallas is worldly, because that it is. We’re just jump-starting it again.

Stoneleigh Weddings

Wednesday, August 22nd, 2007

Check out this wedding shot taken at the Stoneleigh before renovations began. When the hotel re-opens, the new Penthouse will be a one-of-a-kind venue for Dallas wedding receptions and parties. Stay tuned for more details on the Penthouse and its designer, Carleton Varney.

Fit for a King

Tuesday, August 21st, 2007

Elvis Presley - A Famous Stoneleigh Hotel Guest

This year, as fans across the globe honor Elvis for the 30th Anniversary of his passing, it would only be fitting that the Stoneleigh commemorate the King, a former guest, in its own way.  When the doors open later this year, one of the Stoneleigh’s new perks will be a tribute room dedicated to Elvis, which will feature an assortment of memorabilia from the singer’s heyday.

Elvis first made an appearance at the Stoneleigh back in 1956 when he was in town for a one-night show at the Texas State Fair.  As this article by Mary Morris points out, the King escaped his throngs of screaming fans by ducking out in his suite at the Stoneleigh, of which he and his entourage had allegedly rented out two whole floors to ensure privacy.  Yet, Elvis wasn’t always in town for music; he was also noted to show up at the Shanghai Jimmy’s Chili Rice Parlor in downtown Dallas.  His dish of choice?  The No. 9 Tub with all the fixings: chili, onions, rice, cheese, celery, and relish!

HotelDesigns.net Mentions the Stoneleigh

Tuesday, July 24th, 2007

Recently, Hotel Designs, which covers design news within the travel industry, posted up an article featuring news about the Stoneleigh project. Take a look here.